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Local music with no static at all

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  • New Beatles?

    This guy claims that through an extraordinary series of events, he traveled to an alternate universe in which the Beatles never broke up and brought one of their albums back to our world. His poor grammar and spelling make his story seem suspect, but that's just what we do on the internet these days, I guess.

    The music he has up there is pretty interesting. Addressing accusations that these are just remixes of the individual Beatles' post-break up careers, he says, "The only conclusion I can come up with is even though in the alternate universe The Beatles hadn't broken up, that didn't mean their future music ideas disapeared [sic]."

    Seems plausible to me. Even if you're skeptical, I recommend checking it out. It's neat.

  • Blair's music video

    Leighton Meester's single "Somebody to Love" now has a video. I've warmed up to the song some since I first heard it, and, in fact, I now think if this had come out five months ago, this could be a contender for the song of the summer. It's light and fun and mostly disposable. But mostly fun.

    It's still really hard to square the image of Leighton the sexpot with prim and proper Blair of the Upper East Side, though. B would be horrified by this, I think. Which is a testament to Meester's acting, but I think it will make it hard for her to be a pop star while she's on "Gossip Girl." Our pop culture makes it hard for actors to be musicians and vice versa, and few have managed to pull that off successfully. (Once upon a time, I did a pretty extensive story on this. Of course it has been lost to the wilds of the internet.)

  • Blondie@Brooklyn Museum, Oct. 29, 2009

    Miss thing has still got it going on (although maybe it was the lighting, but I think she might be a brunette these days. (ETA: Further research reveals it was a costume!(ETA: Maybe? I'm so confused))). For the opening of the Brooklyn Museum's "Who Shot Rock & Roll?" she played to a packed house in the museum's beautiful Beaux-Arts Court. The sound was slightly fuzzy, but Blondie herself was fabulous.

    The audience, which included a lot of children, was totally into it, and there was some real-live dancing in Brooklyn (and, no, it wasn't just the kids). She opened with "Call Me," and played hit after hit. During "Rapture," my favorite, she let her guitarist take an extended bluesy solo before she came back for a second rap verse, which she spit totally new school.

    Just before the end, she played a cover of Michael Jackson's "Don't Stop 'Til You Get Enough," which, pretty much only if you're Blondie is it cool to cover MJ at this date. Then she wrapped it up with "One Way or Another." It felt like a short set (it was about 40 minutes of rocking and rapping), but it was jam-packed with awesome.


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